Kali















A late afternoon in September,
doors and windows open,
and shadows all sideways.
The way I love to look at.
Pine needles are falling like tinydaggers
doubled and sharing the middle.
Monstrous, all these heaving groans.
See,
the trees have only each other to lean on,
and they are dreadful at the top.
They frame a left-over obtuse blue;
milky and powdered
with an orange grey wickedness.
I could feel it coming fast and close.
Impressed, I waited and listened, waited for its arrival.
That gurgle of atmosphere, it's inexorable digestion,
and everything that comes around sometime.
Not that I told you so.                Or anything.
So distracted, I rested,
and the pines calmed a bit, unsated.

work in progress



















3.5x5 ft. oil on canvas,
work in progress
The monster battle, or the ridiculous and the fearful.  The beginning of a series of subtle figurative gestures.  Been thinking alot about body language, and the unsaid, and left-overs.  This painting started 4 years ago, based on a photo taken during a Host Monster Battle.

And then, a left-over silly tired monster waiting it's turn patiently.
4x6 ft. oil on canvas,
work in progress

cool mornings

Last week I started at the Atlanta Center for Contemporary Art.  My sister is here, and looking for a job.  Jim Price passed away during the weekend.  The terrain is shifting, and it's not sure certain where the new mountains and oceans will lie, and what will be folded under until next time.  At least my studio is now fully funtional.
I can't seem to get started on the next series of larger paintings, although force of habit has already built and stretched the first one.  It's ready to be touched but there's just too much going on, with all of this new information bombarding me and the sun beating down all day.  I know the figure is becoming more important than an empty environment.  I know it's been lonely working on these so solitary things this last year and truth told it's got to me, and the aftermath of invisible tranformative snaps are in the air.  I need to get my camera out, although the whole process seems recessed and less acessible, and a new method has yet to become clear.  The collages were so attractive for a while, but do not translate as paintings as the frustration of  little tiny details distracts from the overall flow of composition.  ?Arggh.
Felbomlasztott Mentokocsi
55x66"
oil on canvas