Tomorrow is Labor Day
Judith Butler. For and Against Precarity.
From Above
I have a couple videos showing at Whitespace tonight. Please join us for Short Shorts and cocktails.
Stewardship from Karley Sullivan on Vimeo.
Stewardship from Karley Sullivan on Vimeo.
some things I missed
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| Theatre du Reve, Tanz Farm. photograph by Karley Sullivan. The Goat Farm, ATL GA, 2012. |
Photographs of Tanz Farm,
Fall 2012, writing by Andrew Alexander.
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| Sarah Hobbs: Overpacked. photograph by Karley Sullivan. The W Hotel, ATL GA, 2012. |
Photographs of Sarah Hobbs Peck Installation at the W Hotel,
Spring 2013, writing by Lilly Lampe.
Both for Burnaway.
Update
On a lighter note, I have a couple videos (REALLY SERIOUS ONES, I WILL USE CAPS TO MAKE YOU WONDER WTF THIS TONE IS), in this exhibit Mythical Genitalia, that was organized by a couple of UTK graduate students. It opens at 1010 Gallery on Gay St. in Knoxville tonight, August 1st. Obviously I'm not there, though it sounds like loads of fun. I'm here in the kitchen working on my interview with Vesna Pavlovic, whom I visited in Nashville last week to talk about the photographic echo and the archival impulse.
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| Curtain. oil on canvas. 72x48 in. 2010 |
Peter Rostovsky: I've seen him talk during both undergrad and graduate work, and he studio visited with me last summer. Had some good input on the value of maintaining yourself in the face of othering. He recommended owning it.
Related is:
A quote from Vesna Pavlovic during my as-of-now-unpublished interview with her for Burnaway.
"It becomes a representation of the Iron Curtain, the ideological curtain, which stops the gaze of the Other."
Related is:
A quote from Vesna Pavlovic during my as-of-now-unpublished interview with her for Burnaway.
"It becomes a representation of the Iron Curtain, the ideological curtain, which stops the gaze of the Other."
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